Concussion est un film américain réalisé par Stacie Passon, sorti en 2013. Le slogan du film est One woman, two lives Une femme, deux vies ». Le film fait partie de la sélection officielle du festival de Sundance, de la Berlinale, du festival du film de Los Angeles, de Chéries-Chéris[1], et il a gagné le Teddy Award du jury en 2013 à Berlin. Synopsis Abby, une lesbienne de 42 ans mariée à Kate Ableman est blessée accidentellement à la tête par son fils. À la suite de ce choc, elle réalise soudainement qu'elle s'ennuie dans sa vie trop bien réglée. Pour pimenter sa vie, elle se met à fréquenter des prostituées, puis se prostitue à son tour et prend le nom d'Eleanor. Elle tisse alors des liens avec les nombreuses femmes qu'elle rencontre, mais lorsqu'une de ses voisines fera appel à ses services ... tout se complique. Fiche technique Distribution Robin Weigert Abby Ableman / Eleanor Julie Fain Lawrence Kate Abelman Maren Shapero Mayer Ableman Micah Shapero Jake Ableman Maggie Siff Sam Bennet Janel Moloney Pru Funda Duval Sarah Claudine Ohayon Lisa Jane Peterson Mrs. Bulkan Johnathan Tchaikovsky Justin Francesca Castagnoli Jamie Sarah Dubrovsky Dom Kate Rogal Gretchen Anna George Dr. Jofar Emily Kinney la fille Daria Feneis la femme no 1 Tracee Chimo la femme no 2 Laila Robins la femme no 3 Mimi Ferraro la femme no 4 Erika Latta la femme no 5 Ben Shenkman Distinctions Récompenses Berlinale 2013 Teddy du jury Nominations et sélections Festival du film de Los Angeles 2013 Festival du film de Sundance 2013 Notes et références ↑ Concussion Une mère et femme au foyer trompe son ennui en se prostituant Liens externes Site officiel Ressources relatives à l'audiovisuel en American Film Institute en LUMIERE en Metacritic de OFDb en Rotten Tomatoes mul The Movie Database Catégories Film américain sorti en 2013Film dramatique américainLesbianisme au cinémaLGBT au cinéma aux États-UnisPremier long métrage sorti en 2013Dernière mise à jour du contenu le 26/06/2022.WriterStacie Passon. Country United States. Language English. Genres Drama. Wife. Mother. Escort. After a blow to the head, Abby decides she can't do it anymore. 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Titre Original : Storm Rider. Titre du film en français : Storm Rider. Annee de film : 2013. Genres de film : Drame, Familial, It used to be that lesbian films—that peculiar underground brand made by and about and for lesbians, though not necessarily starring them—were sordid affairs. The subcultural economy for flicks like Claire of the Moon 1992 and Desert Hearts 1985 was small enough to keep production values low and distribution networks more a whispering project than a marketing strategy. Now, with formats like Netflix regularly programming gay and lesbian fare and with delivery arms like Wolfe Video, an on-line source that sells DVDs and streams LGBT films, what were once poorly shot and haphazardly edited films with low-grade narratives and a lot of unconvincing-looking sex have bumped up more than a notch. Concussion illustrates the new brand of lesbian films, a Sundance-acclaimed indie that follows in the heels of the more mainstream The Kids are All Right 2010 by casting lesser-known actors to tell a messier, less complacent domestic story. The wonderful, expressive Robin Weigert stars as Abby, a lesbian stay-at-home wife whose better half, Kate Julie Fain Lawrence, is a lawyer without the energy or inclination to satisfy her spouse’s sexual desire. Drawn from desperation to pay for sex, Abby realizes that she’s as good at giving as she is at receiving, and decides to hire out as a same-sex escort. Although the plot sounds prurient, part of what’s intriguing about writer-director Stacie Passon’s story is that Abby is smart and canny and sexually appealing, and that the story makes sober sense. At the film’s start, she’s clearly feeling stifled and hemmed in by her domestic responsibilities for two children—a 10-year-old boy who starts the film by hitting her in the head with a ball hard enough to send her to the emergency room, and a six-year-old girl whose anxieties tend toward memorizing a few lines about the Dominican Republic for her grade school social studies presentation. Abby loves her kids and Kate, but she’s bored by the routine and by how domesticity has tamped down her sexuality. Renovating an apartment to flip When she returns to work flipping apartments in New York, her renovation partner, Justin Jonathan Tchaikovsky, turns her on to a female escort service run by his girlfriend, a character wittily called “The Girl” Emily Kinney, who turns out to be a very young law student worried about getting caught trafficking in prostitutes and foreshortening her own legal career. That Justin connects Abby with The Girl on a lark becomes consternating for him when Abby turns out to like these hook-ups. Abby's second experience paying for sex Justin’s moralizing about her sex work becomes one of the many voices of an ethically hypocritical mainstream culture in which Abby puts little stock. From a young college girl who’s never had sex before to a middle-aged woman Laila Robins, lovely as Woman 3 whose husband doesn’t satisfy her, Abby builds a client base of women she treats with sexual abandon and emotional precision, listening to their stories and becoming their therapist as much as their lady of the night. Passon engages the joy with which Abby listens, focusing in on Weigert’s open, attentive, empathic face as her clients talk, the two of them wrapped in sheets post-coitus with all the intimacy of lovers instead of those transacting business. Part of Passon’s point, in fact, seems to be that women’s desire deserves to be met, in whatever ways make sense. In an interesting narrative choice, Abby and Kate’s friends are mostly straight couples. Abby works out at the gym with women in heterosexual marriages whose pleasures and frustrations aren’t very different from hers. They’re all “moms,” as she explains in a scene in a supermarket, women whose lots are thrown together by their children’s proximity, rather than by their own choice. Passon seems to question whether a lesbian marriage is different from any other. While Lisa Cholodenko, director of the path-breaking The Kids are All Right, insisted on same-sex marriages’ similarity to heterosexual ones at a moment before gay marriage was even as widely accepted as it is today which is to say not as much as it should be, but we’re getting there, Passon goes further by suggesting that lesbian marriages can be just as screwed up as any other. Aside from their children and their home, it’s never quite clear what keeps Abby and Kate together, given how constrained Abby feels by a life that seems so circumscribed and routine. Kate Lawrence and Abby Weigert at home Concussion proposes that fulfilling desire outside of marriage might do the trick, even if or especially if it’s satisfied in the vaguely illicit terms of affairs and sex-for-pay. When “Sam” Maggie Siff, one of the neighborhood moms whose eye Abby has caught at the gym on more than one occasion, contrives to hire her services, their torrid if contracted affair threatens to spill over into their real lives. Abby has an orgasm when they have sex, surprising Sam, who thinks that’s against the rules. Maggie Siff as "Sam," eyeing Abby at the gym When Abby spots Sam in the local market flirting affectionately with her husband, from whom she’s supposed to be separated, she can’t resist approaching her to check out the terms of Sam’s heterosexual partnership. After Abby’s secret work life is inevitably and messily revealed, Sam walks her dog by Abby’s driveway and the two women intimate that they’ll keep seeing one another, surviving the banality of their daily domestic lives by continuing the intense, secretive sex that gives them both something to look forward to in between carpooling kids and scooping dog poop. Weigert brings warm intelligence to her performance as Abby, and a lithe, lean sexual energy that’s unselfconscious and persuasive. Abby announces wryly at one point that she’s 43-years-old; indeed, part of the film’s poignancy is that it concerns a lesbian of a certain age, one who’s testing what she can and can’t give up to secure a family life that has its own pleasures and comforts. Concussion isn’t a story about coming out or being in your 20s and figuring out where your passions lie. It’s about being hit in the head and realizing that you have to lie down for a while to protect yourself, while your brain and perhaps your heart has a chance to heal. It’s about learning how to recover from the blow to the head that “real married life” sometimes represents and thriving in the aftermath. Abby with her laundry, in an Akerman-like framed shot Passon films Weigert with sympathy and respect, never indulging in what might be voyeurism. Some of her shots are framed like French feminist filmmaker Chantal Akerman’s in Jeanne Dielman 1975, her famous, nearly silent film about a woman who turns tricks with men in her home. Akerman’s film treads similar territory, but nearly 40 years ago, she could only see her prostitute heroine through the gauze of melancholy and domestic despair. Passon sees more pleasure and potential in Abby’s exploits. Akerman studies her character from a dispassionate distance, through doorways that frame her acts of quotidian domestic and professional preparation. Even the sex she has is clinical, as Akerman’s camera focuses on her suffering the men who mount her body. Passon might borrow some of Akerman’s framings, watching Abby through long or medium shots as she makes her own preparations for her home life and sex work, but Passon brings us closer to Abby’s physical and emotional feelings, as she experiments with the boundaries of where she’ll take her own passions. Concussion also quotes Susan Glaspell’s classic feminist play, Trifles, in which two neighborhood women visit another’s home after she supposedly kills her husband, and can read off the surface of the scene the turbulent unhappiness of their friend’s life. In Concussion, when Kate visits the newly renovated New York flat where Abby has been entertaining her clients, she, too, understands by studying the space that her wife has been unfaithful there. Later, Kate follows her to the apartment and surprises Abby after a tryst, opening the door on Abby lying naked, luxuriously sprawled across the bed’s tangled white sheets. Kate stares at Abby with distaste, telling her to put something on, repulsed by how Abby has used her body, even though Kate no longer desires her. The luxury of the post-coital body In the short, artfully framed exchange, Passon captures the tension between sexuality and domesticity. How can women enjoy their sexuality and pick up their kids from school on time? What’s enough to fill out the outline of a life? Abby’s fellow moms seem more or less content with their lot. In the homosocial environment of the gyms and coffee shops they frequent, they prattle on wryly about banalities, which are, finally, the stuff that makes up a life. And they’re also wealthy suburban New Jersey women who don’t have to work. Sam Siff and Abby Weigert finally meet up But their apparently mundane lives don’t remove them from the complications of sex and power. When Sam meets Abby for their first encounter, she asks her to pull her hair and to treat her roughly. Siff and Weigert find all the nuances between two women who seem alike on the surface of their lives, both of whom need to acknowledge that their desire brings an edge that reminds them that so much more roils underneath. When Kate later reaches out physically to Abby, and Abby tries to show the same sexual intensity with her wife, Kate rejects her, unable or unwilling to plumb those depths. Abby and Kate are Jewish, an added ethnic touch that helps to specify the kind of suburban life they lead. Abby is on the board of her synagogue; she’s a good citizen of her community, which as far as she’s concerned doesn’t preclude her extra-curricular activities. Passon doesn’t judge Abby; instead, she empathizes with her need to have more, to find value in herself in physical, as well as emotional and publicly responsible ways. Abby Weigert, a renovated version of the suburban Jewish housewife Much ire has been expressed recently over Blue is the Warmest Color, Abdellatif Kechiche’s French film that won the Palme D’Or at Cannes and that apparently includes lots of explicit lesbian sex I haven’t yet seen it. Julie Morah, the woman who wrote the graphic novel on which the film is based, said in The Guardian last May that the only thing missing in the film were real lesbians the two young women who play the lead couple are straight. Any lesbian or gay movie will continue to raise the “authenticity” question, perhaps until sexuality and gender are so truly diverse and fluid, no one will find it interesting to challenge who plays whom and how. Rose Troche, who produced Concussion, addressed those issues years ago with her work on The L Word, for which she and Ilene Chaiken brought lesbian sexpert Susie Bright to the set to instruct the cast in lesbian sexual practices. Authenticity issues could be raised about Concussion, but they would diminish another of Passon’s points Most of Abby’s women clients aren’t lesbians, per se. They’ll try men as her youngest, once virginal client plans to do or they’ll return to their husbands at the end of the day as Woman 3 and Sam will do. But they take a rich same-sex pleasure in Abby’s hands. It doesn’t matter what the characters or the actors “are” or how they identify. What they do is what counts. In the end, Concussion is rueful, sobering, and sad, as it refuses to accord lesbian marriages any more potential for perfection than any other. And even in that, it seems progressive and right. The Feminist Spectator Concussion, available on demand and at theatres.
SWINDLE2013 Film en Français ~ Sous la direction de Jonathan Judge, le film complet Swindle long métrage avec original streaming en Anglais, a été produit en ÉtatsUnis et Canada et est apparu dans les cinémas Français en 2013 Les spectateurs ont donné une note de quatre sur cinq avec 1,142 votes Avec FULLTV, vous trouverez plus de 50,000 fiches de films
français arabe allemand anglais espagnol français hébreu italien japonais néerlandais polonais portugais roumain russe suédois turc ukrainien chinois anglais Synonymes arabe allemand anglais espagnol français hébreu italien japonais néerlandais polonais portugais roumain russe suédois turc ukrainien chinois ukrainien Ces exemples peuvent contenir des mots vulgaires liés à votre recherche Ces exemples peuvent contenir des mots familiers liés à votre recherche En ayant en place un protocole de gestion des commotions cérébrales, votre club sera en mesure de réagir. By having a concussion protocol in place, your club will have the proper process to turn to should a situation like that arise. Rugby Québec utilise les protocoles de gestion des commotions cérébrales de World Rugby. Le programme de gestion des commotions cérébrales de la CJHL utilisera le logiciel mobile et Web novateur de HeadCheck Health, Inc. The CJHL Concussion Program will use innovative mobile and web-based software from HeadCheck Health, Inc. Au début de chaque nouvelle saison, parents et athlètes devraient avoir une présentation détaillée du programme de gestion des commotions cérébrales de l'équipe. Furthermore, a detailed presentation should be given to parents and athletes explaining the team's specific concussion protocol at the start of every new season. Cela permet vraiment de créer une approche cohérente en matière de prévention et de gestion des commotions cérébrales dans notre sport. This really helps to create a consistent approach to prevention and concussion management across our sport. Bob Ronyck dit que son fils Brandyn a grandement bénéficié des soins donnés dans le cadre du programme Pan Am de gestion des commotions cérébrales. Bob Ronyck says his son, Brandyn, benefitted from the care provided through the Pan Am Concussion Program. Hailey Karbonik a aussi été traitée par le personnel du programme de gestion des commotions cérébrales de la Clinique Pan Am. Hailey Karbonik has also been treated by staff at the Pan Am Concussion Program. CCMI est le plus important et le plus accessible programme de gestion des commotions cérébrales au pays. CCMI is the largest and most accessible concussion management program in the country. Des efforts ont été déployés partout au Canada pour rendre obligatoires des protocoles d'éducation et de gestion des commotions cérébrales, en particulier dans les organisations sportives et les écoles. There have been efforts throughout Canada to mandate concussion education and management protocols, particularly in sport organizations and schools. Volleyball Canada devient le premier programme national à adopter la plateforme de gestion des commotions cérébrales HeadCheck Volleyball Canada becomes first national program to adopt HeadCheck concussion protocol platform - HeadCheck Health Au début, le programme de gestion des commotions cérébrales était basé à la Clinique Pan Am sur Poseidon Bay, pour ensuite emménager au Bell MTS Iceplex en 2014. The concussion program was initially located at the Pan Am Clinic on Poseidon Bay, and moved to the Bell MTS Iceplex in 2014. HeadCheck a développé un logiciel et des services novateurs pour les organismes de sport, les équipes, les cliniques et les praticiens pour les aider à améliorer leurs capacités en matière d'identification, d'évaluation et de gestion des commotions cérébrales. HeadCheck has developed innovative software and services for sports organizations, teams, clinics, and individual practitioners to improve their concussion identification, assessment and management capabilities. De plus, elle est accréditée par Complete Concussion Management CCMI, un programme complet de gestion des commotions cérébrales. Parachute travaille en étroite collaboration avec des experts des commotions de tout le pays afin de mieux connaître les stratégies de prévention, de détection et de gestion des commotions cérébrales les plus efficaces. Parachute Canada Parachute works closely with concussion experts from across the country to better understand the most effective prevention, recognition and management strategies for concussion. Commotions cérébrales Notre équipe de gestion des commotions cérébrales est supporté par un médecin sportif, un neurologiste, des physiothérapeutes, des ergothérapeutes, et d'autres professionnels de la santé. Our concussion management team is supported by a sports physician, a neurologist, physiotherapists, occupational therapists, and other health professionals. En tant que physiothérapeutes, comment assurons-nous la transition de notre rôle dans les membres de l'équipe de gestion des commotions cérébrales? How do we as physiotherapists transition our role into concussion management team members? Nous sommes fiers de cette collaboration avec la CJHL dans le cadre de ce programme national de gestion des commotions cérébrales afin d'assurer la paix d'esprit des parents, des joueurs et des responsables de la Ligue. We're proud to work with the CJHL on this national concussion program to provide peace of mind for parents, players and the league. Je suis heureux de dire que tout le personnel et les membres du Conseil d'administration de Rugby Canada ont fait preuve d'un grand leadership à ce chapitre en complétant les modules RugbyReady et de gestion des commotions cérébrales de World Rugby. I am happy to say that that all of Rugby Canada's staff and Board have shown great leadership in this area by completing the World Rugby online Rugby Ready and Concussion Management modules. 2018 /CNW/ - La Ligue canadienne de hockey junior CJHL et Co-operators ont annoncé aujourd'hui le lancement du premier programme de gestion des commotions cérébrales qui sera offert dans l'ensemble de la CJHL afin de protéger le bien-être mental et physique de joueurs. 25, 2018/CNW/ - The Canadian Junior Hockey League CJHL and The Co-operators announced today the first national concussion program available across the CJHL to safeguard player mental and physical wellbeing. Les entraîneurs de club doivent compléter les modules de gestion des commotions cérébrales pour le grand public, RugbyReady et sur les Lois du jeu de World Rugby. Match Officials are requested to complete World Rugby Concussion Management for the General Public, World Rugby RugbyReady and World Rugby Laws of the Game. Aucun résultat pour cette recherche. Résultats 33. Exacts 33. Temps écoulé 127 ms. Documents Solutions entreprise Conjugaison Synonymes Correcteur Aide & A propos de Reverso Mots fréquents 1-300, 301-600, 601-900Expressions courtes fréquentes 1-400, 401-800, 801-1200Expressions longues fréquentes 1-400, 401-800, 801-1200
SNG] Télécharger: Concussion 2013 Film Complet Gratuit Français 720p en Ligne Rétablissement je suis Noël Navarro. Je veux vous juxtaposer Comment rêver le cinémathèque Pertinence Fichier Moteur 100 Télécharger office_ Sponsor 100 [RAPIDE] office- Sponsor 100 [COMPLET] Sponsor 100 Inscrivez-vous gratuitement sur SpyOff pour télécharger anonymement ces fichiers. [Cliquez Ici] Sponsor Chargement en cours... Pertinence Fichier Type Poids Moteur 18Kviews, 33 likes, 1 loves, 6 comments, 2 shares. Facebook Watch video from Nextflix: 18K views, 33 likes, 1 loves, 6 comments, 2 shares, Facebook Watch Videos from Nextflix: - Regarder Opération This low-budget US indie melodrama walks on thin ice, but it does so with a spring in its step and a sharp rejoinder on its lips. Perennial supporting player Robin Weigert takes centre stage as Abby, the bored lesbian housewife and mother who decides to use the New York pad she’s been fixing up to start entertaining young, paying but exclusively female clients. Of course, it’s not long before her secret life starts playing havoc with her real one. First-time writer-director Stacie Passon has a great eye, framing warm bodies and faces against cold, crisp interiors. Her script is all a bit poor-little-rich-me, and its suggestion that prostitution is a relatively risk-free route to self-discovery for suburban soccer moms is glib bordering on offensive. But Weigert is tough and terrific in the lead – the scenes in which she vets potential johns or janes? in a local coffee house maintain a crafty balance between tense, funny, bitter and sympathetic. W4yY2. 178 85 190 278 251 108 160 235 192